About

The things we keep are rarely just things.

A car can hold the memory of a friend or family member. A tool can carry the mark of the hands that used it. A photograph can become part of a family’s history.

I make photographs for people who understand that value is not always measured by rarity, condition, or price.

Sometimes, something matters simply because it has been part of a life.

Marc Haserodt owner Red Rabbit Photography self-portrait with tintype darkbox
History does not always arrive in perfect condition.

The subject is not always the thing in front of the camera.

Marc Haserodt owner Red Rabbit Photography Tintype selfie.

A tintype portrait, an old truck, a family heirloom, and a quiet workshop may seem like very different subjects.

What interests me is the relationship behind them. The years of work. The decisions to repair rather than replace. The marks left by use. The stories that gather around something when it remains part of a life long enough.

That is the thread running through Red Rabbit Photography.

I am less interested in what something is than in why someone chose to keep it.

I’m drawn to evidence that something has been cared for.

I notice the steering wheel polished smooth by thousands of miles. The worn handle on a favorite tool. The careful repair that kept something working instead of replacing it.

Sometimes it’s immaculate craftsmanship. Sometimes it’s honest wear. Both tell the same story. Someone decided this was worth keeping.

Those details are easy to overlook. They’re often the first things I see.

They remind me that the most meaningful photographs aren’t always about remarkable subjects. They’re about remarkable relationships.

I’ve spent most of my life learning how to pay attention.

I’m Marc Haserodt, the photographer behind Red Rabbit Photography.

I first picked up a camera more than forty years ago. For much of that time, I was more comfortable photographing objects, machines, and places than people.

Old cameras, industrial spaces, worn tools, and automobiles made sense to me. They carried their histories openly. You could see where they had been used, repaired, altered, and kept.

Eventually, I began to understand that photographing people was not separate from that work. The people were part of the same story.

Red Rabbit Photography grew from that realization.

The photograph begins before the camera comes out.

Listen

I want to understand what matters before deciding how it should be photographed. Often, the most important detail is not the most obvious one.

Look

Light, surroundings, wear, gesture, and small evidence of use all shape the photograph. I would rather notice what is already there than impose something that does not belong.

Make

The camera and process come last. They are chosen to serve the story, not to become the story themselves.

Care takes time.

Different subjects. The same reason for making the photograph.

The name Red Rabbit began as a loose translation of my family name. Over time, it has come to mean something larger.

It is a place for work that does not fit neatly into one photographic category, but belongs together because it begins with the same kind of attention.

A tintype portrait, a carefully restored automobile, a worn tool, or a familiar place can all carry part of a person’s story.

Red Rabbit Photography exists to recognize that connection and make photographs with enough care to honor it.

The subject may change. The responsibility does not.

Tell me what matters to you.

It may be a person, a machine, a place, or something that has become part of your life. The best place to begin is with the story behind it.